Is it free :smallconfused::smallbiggrin:
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Unfortunately not. It came bundled with the drawing tablet I purchased. The website is here if you're interested.
Hmm, I don't know. I have Photoshop CS4, and I've also used Photoshop CS3, and they're both amazing. However, I've heard that Photoshop Elements is much simpler then CS-something, but I've never used Elements. So it's up to you if you want to switch or not. Photoshop is harder to learn then Painter (Especially the more complicated Photoshops), and I had an art teacher to show me how to use it. My digital art did improve after I switched to Photoshop, though.
I recommend you play around with Photoshop Elements a bit and see how much you like it. Then, if you like it, you could maybe try to get your hands onto a CS-something. CS5 (the newest version) is about $700.00 to $600.00, so that's probably way out of your budget. You can probably get CS4 or CS3 for much cheaper, and they really aren't that different from CS5.
Something cool in Photoshop (or at least in the CS versions) is all the brushes you can download from the internet. I've downloaded a ton of brush packs, from splatter brushes to grass brushes to dust brushes to fractal brushes (the fractal brushes are really cool). It's fun to play around with. If you end up getting a Photoshop that can support those brushes I'll send you the links to them.
After looking over Photoshop Elements again, I suspect this is an image-editing only program, as I am unable to find any range of brushes or drawing tools. I could be missing something.
Day 47: Swatch
I half like this one. It was made with the intention to see if I could sort out a weird colour scheme into something that flowed better. I also experimented with using the wash tool as primary hair colourer; it worked great for the skin tone, but not so well for the hair. After two hours of work, I see what I would have done different if I had the chance for a do-over.
It's kind of a weird feeling. There are a lot of things here I'm happy with, and some things I'd change if I had more time. Particularly, next time I'm going to try an experimental colour scheme, I'm going to slash out an outline of those colours on the page and see if they clash. I'm also going to go for solid colour fills and accentuate using wash, like I did with the eye.
Model:
Finished:
Time: 2 1/4 hours
Music: Radio
You're missing something. I got the same bundle you did with the same tablet, and use Photoshop Elements exclusively for all my art (okay, and Inkscape, but that's for a totally different type of art :smalltongue:). I did have trouble with Elements at first, but unfortunately I can't remember what I did to fix it well enough to help. The best I can do is give you a screenshot of my Elements with the tools circled, here.
oh, gracious. I had a building feeling I new what you were talking about when reading through your post, and, sure as sugar, there it is :smalleek: :smallredface:
In my defense, half of my colored pencils are a mystery until I've scrubbed the page a bit. (this is where you point out I should do test swatches in the margins :smallwink:)
The background color kind of washes the skin tone. Granted, I'm a hairs breadth away from passing out, but it makes the whole thing seem flat. The face doesn't pop enough off of the background.
Have you ever heard of an oekaki board? It is (to the best of my knowledge) a message board with it's own rudimentary but solid art program, specifically to draw/paint, and post it for other folks to critique. That's what your art reminds me of, right now. It's got the same feel.
I don't know that you can find one with both good artists and low drama, and I don't know that you could fit it into your already busy routine, but it's worth a bit of consideration, methinks.
Rock on.
Day 47a: 20% More Swatch
You know what? Screw leaving things unfinished.
...closer eye being smaller *cough*
Day 47b: 63.67% more Swatch
You know what? SCREW SLEEP. GONNA ART
I like the red and black effect, but does the tall guy in the mask have two right arms? :smallconfused:
Edit: Or is the tall guy facing forwards? In which case I'm not sure how the pose works with the other guy pointing guns at each other.
Editx2: Or are they just inspecting their guns and I've misread where they're pointing their arms completely? :smallconfused:
No, the picture works. The masked guy's torso is facing towards the camera, same way as the other guy. His left arm is at the back, his right arm is holding the gun, and his neck is turned. You can see the outline of his opened coat.
Suitguy has left shoulder forwards, maskguy has right shoulder forwards, they're in an open stance, their torsos both facing the same direction. You can see this from the shape of their coats at the bottom.
I could probably have made that clearer, in retrospect.
Day 48: What's White, Black and Red all over?
This was all kinds of tricky; I've never drawn two people interacting before. The pose still isn't quite right, but progress was made. Some proportions and limb sizes are a bit off too, but I reckon I can make a show of choreographing this fight sequence.
Time: 1 Hour
Music: Eat Your Own Dust
I'm not getting the visual illusion thing with the mask guy this time. Although with the lack of outlines and some issues with depth I couldn't help seeing both figures being, uh, somewhat joined at the crotch. :smallbiggrin:
I'd still say my biggest issue would be that their poses look a little too flat, like they've been stylised on a Egyptian mural. Both figures have their torsos facing the viewer but since they're interacting it's hard to place any depth to their individual components to get an idea of where everything is.
Raz fights dirty :smallannoyed:
Yeah, I agree entirely, but I reckon I can start experimenting with that. It's overall too stiff and straight to be natural, especially in a moment that's supposed to have more energy, but it's actually been a fair while since I did my stick figures and full human body drawings (and actually never in anything remotely similar to these stances). I'm going to try a few more like these until I've sorted out poses and stances to my satisfaction.Quote:
I'd still say my biggest issue would be that their poses look a little too flat, like they've been stylised on a Egyptian mural. Both figures have their torsos facing the viewer but since they're interacting it's hard to place any depth to their individual components to get an idea of where everything is.
I think this is one of those situations where I just have to practise it a bunch; I feel like I'm on the right track and I just need to keep going.
But I have to DM tomorrow! also out of inspiration for anything that I could show
Nice. A little stiff on Mask's part, but it fits the character. Thy look entirely unconcerned to have guns aimed at their vulnerable bits.Quote:
It is odd that Raz (I assume) is left handed though. Would probably I've him an edge in a swordfight.
I got it, oddly enough. First thing I noticed (besides the faces) were the coat details on Mask. Really well done.
No actual advice or critique I'm afraid. You're now beyond most of my help (which is a good thing; I would probably lead you astray :smallwink:)
Who is the girl with the blue background?
Take some of my inspiration! Really. I can't stop drawing.
The Arcani either go for straight-backed stiff puppetism or creepy, twisty, spidery stances.Quote:
Nice. A little stiff on Mask's part, but it fits the character. Thy look entirely unconcerned to have guns aimed at their vulnerable bits.
It is odd that Raz (I assume) is left handed though. Would probably I've him an edge in a swordfight.
The girl is half a dozen different people depending on which stage of creation you asked that question. Learning that going in with a clear concept is important.Quote:
I got it, oddly enough. First thing I noticed (besides the faces) were the coat details on Mask. Really well done.
No actual advice or critique I'm afraid. You're now beyond most of my help (which is a good thing; I would probably lead you astray :smallwink:)
Who is the girl with the blue background?[/color]
On that note.
Day 48b: A Sunburnt Penguin
This turned out a lot better. I'm so glad I went back in to fix the feet, they looked abominable in the first draft.
Needs more solid guns and a ruler for the sword. :smallwink:
(Suit guys right arm also looks a bit short for this angle. Again, i suggest laying things out with stick figures first and keeping them in a layer below the entire thing. You can affort that luxury when working digitally. :smallsmile: )
Here's a little challenge: Make this set of skeletons into a picture of your chosing.
(The numbers are the visible fingers, counting 1 as the thumb.)
Show me your moves! o/ (Because having characters interact and stretch sensibly is damn hard.)
Indeed; figuring out how to draw guns/swords is a practise day in and of itself.
I did lay the thing out with stick figures; that particular piece of theory is functional, even if the application is still lacking :smallwink:
Challenge accepted!Quote:
Here's a little challenge: Make this set of skeletons into a picture of your chosing.
(The numbers are the visible fingers, counting 1 as the thumb.)
Show me your moves! o/ (Because having characters interact and stretch sensibly is damn hard.)
Also, ohhhhhhhh, that's how you skeleton out a background.