To Save the World / Kim
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Kim’s parents are frantic, pushing her along once the door is opening, though the fact that she’s actively moving for the door seems to reassure them enough. They have the presence of mind to snag a fire extinguisher and a few valuables of their own, darting in to salvage what they can after they push her out of the house and into the street. They don’t seem to have noticed the man with the weapon walking down it, only that the fire is moving rapidly toward them.

Something new is coming out on the street, though. From one of the burning houses a dark figure emerges, just a blur of shadow that races across the sidewalk and slams into the man with the weapon. A flash of light catches it, and Kim can see it’s another man. A man with claws. They both go down, rolling, flailing, the gun fires once into the air.

In the background people are yelling for help, clustered at the bottom of the house across the street. Someone’s daughter is still stuck at the top, the door wreathed in flames, no escape in sight.

((Just to note, if it wasn’t completely clear, this is AFTER your blossoming. So you can transform, if you’d like to. At the moment nobody is really watching you. Also, you have a choice. You can either take action against the two people in the street, or you can go save the little girl. You’ll have to move past the fight taking place, so you could do something while you do that, but you might draw unwanted attention.))


I Need a Hero / Erin
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That probably isn’t the right thing to say, but it is something. When she draws closer she can see things that darkness concealed before: The limp, battered body of the older woman, the streaks of blood that mat the face of the young man being thrown down against the street. The thug that was stepping forward to pick him up again abruptly stops, and then both turn toward Erin.

“Who the hell are you?” The one nearest the girl speaks up, his eyes flickering over her. “You think this is any of your business?” He takes a menacing step forward, moving to block the view of the other pair.


In Sleep He Sang To Me / Shirley
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Sherlock does seem to know at least one thing, if nothing else: this thing needs to go. Several shots are fired from an archaic looking revolver at the monster, all of them puncturing its dark body to no apparent effect. “Holmes,” He calls sharply, “I’d like you to remember how you got here!” Which could be a trick, because Shirley, if she things about it, has no concrete memory. Logically, this should not be.

Moriarti is just as baffled as Sherlock himself. He, however, has an entirely different reaction. He’s staring blankly at the hole, past the monster, out into the mad panorama beyond. He’s saying something, but it can’t be heard. Then he starts walking to the hole, blatantly ignoring the creature.

In the meantime, there’s a conveniently fallen chandelier with several chunks broken off that’s right next to her. Which could come in handy, since that huge fist is rapidly approaching.

((Shirley may be starting to get the idea this isn't entirely real. It is, however, entirely dangerous and wrong.))