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Thread: Flawless [IC]

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    "Oh, thank Goddess," Nadine says. She drags herself closer, whimpering a little as it pulls her mangled leg over the concrete floor. The door wrenches open easily enough with a little magic. Jack helps Bethany out of the trench coat while Nadine, astonishingly, grabs the bars of the cage and manages to use them to haul herself to a standing position on her good (well, better) foot. She shakes a little putting it on, and needs help balancing, but once she has it on she seems to relax a little. She manages a shaky smile, her remaining eye tearing up.

    "We gotta get you two to a hospital, no argument there," Jack says, picking the girl up. He must be exceptionally strong, because he holds her in front of him like the classic princess pose, rather than over his shoulder. Nadine is pretty emaciated, but that's still harder than the action movies make it look. "But...how the hell you gonna explain the injuries? That gash, sure, that's easy. But like...what do we say happened to the girl?"
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    "The best lies are the ones that are true," Bethany says We tell them what happened; "After the house went up, I was in the area, and I got injured in the aftermath. I was looking for survivors, and found the trap door, and that... room," The amount of venom in her voice over that last word is appreciable, "they'll fill the rest of the blanks themselves."
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    "Fair enough," Jack says. Then, suddenly, Nadine speaks up. "I...should we...kill them first?" She pauses. "Goddess, that sounds horrible but...I saw some of what that thing did to them. And I felt it in my mind, the way it broke me down, the hate just...yeah. It crushed me in ways that I don't think will ever come clean. And it had them a lot longer than me." She goes silent again. "I...don't think that there's anything that the doctors can do to help them. Ever. And...there's still enough left of them to suffer."
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    Bethany looks worriedly at Nadine for a moment, before nodding, "... Yeah, you're right. I'll take care of them while you two are getting to the car."

    Bethany will move to the cages, projecting her hands into them. This is a relatively simple, if slightly surgical application of magic. Light castings of the "Vosh" spell, meant to crush the brain and brain stem, giving them a fast, painless death. The only kindness she can really grant them at this point. Afterwards, she'll head out behind the others.
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    Bethany casts the spell on the man first. He collapses, dead in before his body finishes slumping over. The girl turns to look at Bethany, and the wizard is somehow certain that the girl knows what just happened, that the other victim is dead. She stops the scratching, and her lipless face moves in a way that suggests a smile. Her muscles relax, and she looks peaceful as the spell takes hold of her, crushing her brain stem with surgical precision as well. Another body slumps to the ground.

    Outside, Jack carefully puts Nadine in the back seat of the car. The girl appears to have lapsed into unconsciousness, though she is still breathing normally and doesn't appear to be in immediate danger. Without asking, Jack gets in the driver's seat, and proceeds to drive them both to the nearest emergency room. The doctors take one look at Nadine and take her back, calling for immediate attention. It takes a little while longer for Bethany to be taken back, during which time Jack disappears. Once she's inside, the doctors give her a shot of anesthesia; the relief from pain hits like a physical blow, and she barely even notices as they clean the wound and suture the cut closed. It will still be some time before it's really healed, but it's on the way now.

    The police arrive at the emergency room an hour or two later with many questions for Bethany. The detective, a grizzled man named Samuel Richards, seems relatively sympathetic, but he's still relentless as he grills her over and over on the details. But after a while, the reports come back verifying that the address she gave is correct, and confirming that the victims are in the basement as described. Richards looks at the pictures several times, and though the junior officer who delivered them is clearly on the verge of throwing up, Richards himself just looks tired. Finally, after several hours of what isn't quite an interrogation, the detective departs, leaving his card and a strict instruction not to leave the city.

    Early the next morning, Bethany is cleared to leave the hospital.
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    Bethany will have asked to be informed when Nadine wakes, leaving her name and number - no doubt the teenager is going to be in for a hell of a recovery, and having an extra friendly face might help push forward the psychological part of it. She may never be completely whole, mentally or physically, but she's far from beyond hope.

    For now, though, she calls her appointment for the day off (is it Monday already?). When she arrives at home, she chooses to eat enough to make up for all the exertion the night before, and then pass out on her bed, heedless of the fact that she's already slept a good eight hours. It's been that kind of weekend.
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    Bethany wakes up at noon. She goes about her day, Mi Na already being at work, until she gets a call from the hospital about two hours later. Not only is Nadine awake - she's asking for Bethany personally.

    At the hospital, she is escorted in to a room, in the regular hospital rather than the ER. Inside, Nadine is lying in the bed, swathed in bandages.

    "Y-you came back. I kinda th-thought I'd never s-see you again." Her smile has gaps and other damage, but like before, it has a sort of raw childish joy that transcends the horror and makes it beautiful. "They say I'll be...not okay, I will never be okay, b-but I'll live. They have to a-amputate the leg but I'll get a prosthetic and s-someday I can walk again. And I c-can see."

    She is quiet a moment and then says, simply, "Thank you."
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    "Yeah, I figured you'd need someone that's been through some of what you'll have during your recovery, so I left the nurses my number," Bethany says, "I know how much it helps to have a friend when you're dealing with all this. So, I'm here. Any time I'm not at work, you can feel free to call me or send me a text. Has your brother been in to see you yet?"

    She sits down in the chair beside Nadine's bed. This, right here, is worth the pain of those last few nights. Someone with hope for the future.
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    "The n-nurse said he came in while I was asleep b-but he had to go to w-work. He left a n-note though. And I called him, we t-talked for a while. It was really nice. He's going to come back after he gets off work. Oh, and he said you h-have my ring."
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    "Thank you for reminding me. I do," Bethany says, and reaches into her purse for it so that she can give it back, "I tried to use it to find you, but, well, the monster made it difficult. As soon as we had a heading, though, we got there as fast as we could."
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    The girl takes the silver ring and clutches it to her chest. Her composure shatters and she weeps for several long moments before wiping her tears and slipping it onto her finger. "Thank you," she says, her voice choked by tears. "I l-left it so you could f-follow. The...the monster, it made me come, it made me want to come. B-but I knew that when Andy saw the ring, he would kn-know something was wrong. It's all, all I have of her."

    She takes a long, deep breath to compose herself, and shockingly, it works. In a few seconds, she goes from being a shattered, crying victim to a composed, controlled survivor. It's obvious, from just that action, that this is a girl whose self-control, discipline, and ability to compartmentalize emotional reactions are extremely strong. In fact, Bethany is pretty sure that she'd struggle to control an emotion that strong so simply, even without days of horrific physical, mental, and spiritual torture. Nadine's sheer tough-mindedness (along with the fact that she was in the wendigo's hands for less time and suffered less physical abuse) is probably why she retained her mind when the creature's other victims were reduced to something less than animals.

    "Thank you. I want to give you my phone number, too, and my email. That way you can reach me, too."
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    The wizard nods, "Absolutely. Though, I've got a question; are you familiar with magic?" It's an innocuous enough question. Nadine has been through enough that nobody's going to bat an eye at Bethany asking her this - if the wendigo didn't clue her in, she's just damn dense, and given her composure, that seems unlikely, "The wendigo was targeting kids with some innate talent, as far as I can tell. If you do... well, we might be able to develop it to a point where you won't need someone else to save you."
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    Nadine glances warily at the door to make sure no one is there, then nods slowly. "My brother has shown me some things, told me a little. He taught me to do small things - light spells, tracking spells, circles, that sort of stuff. I can do it, it's not even hard really. He told me that I...I might be s-stronger than he is. But he wasn't jealous. He was so p-proud."
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    Bethany nods. Yeah, that tracks, "That's good. Very good, in fact. I'll warn you, though - learning how to do magic requires a firm mind in order to control the power. After what you've been through, I don't know if you'll be very good at that; I know I wasn't, after the time I got-" she stops herself there, closes her eyes a moment and breathes out, "I know that there can be some difficulties with it. But like any skill, if you work at it, you can achieve some startling, impressive things. Admittedly, I'm a little young for taking on an apprentice as far as most people are concerned, but I think it might be better for you in the long run than all the physiotherapy money can buy."
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    "That would be n-nice. My b-brother said he couldn't teach me much, his t-talents are too different. But I t-trust you. A-after I'm out of the hospital and I settle in a little, I'd really like that."
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    "Let me know when you're up for it; no rush on that," she pats Nadine's arm, "I should probably head out, though. Anything comes up, or you just want to talk," Bethany reaches into her purse for another small piece of paper, with her phone number and email on it, "You just let me know, alright? Doesn't matter what time it is or when."
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    Nadine doesn't answer, the reason for which becomes clear - the girl literally fell asleep mid-conversation, the combined effects of torture, relief, and seriously powerful pain medication being too much for her. She's snoring gently as Bethany leaves the note, the sound childlike and a little adorable.

    Back at the apartment, Mi Na is waiting up, pacing restlessly. She whirls as the door opens. "Did you find anything?" she asks, clearly not sure what answer she's hoping for.
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    "You may have heard about a house burning down," Bethany says, pulling her coat off to hang in the entryway, "just got back from visiting the victim we pulled out of there in the hospital; she's not all together mentally, but she took it worse than us - physical torture for one - and I'd actually say she's handling it better than we did, and that's no small potatoes. She's lost a lot, but I got there before she was beyond saving."

    Having taken off her coat, Mi Na will likely see the stitches in Bethany's arm, "It wasn't a succubus. It was a wendigo. Another kind of psychophage, much more physical, feeding off transgression. Damn nasty in a fight too. But it's been banished, and while it tried to get me to do things before we reduced its body to so much meat, I didn't let it have an in. For now, at least, it's over."
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    Mi Na stares, then all but tackles you, her arms wrapped around your chest until you could swear you feel a rib creaking. "Thank you thank you," she says into your shoulder. "I knew there was something bad going on. It's so good you banished that thing. Nobody should have to live through what we did. And you saved a girl before she was...gone. Thank you so much."
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    "Ngh," Bethany grunts, putting her arms around Mi Na as well, before speaking in a strained, but still amused, voice, "I'd appreciate slightly less enthusiasm. My ribs can only handle so much, and I still have road rash."
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    "Right, right," Mi Na says, relaxing. "Sorry. Anyway. Did you find out why it was going after those kids in particular?"
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    "Same reason we were targeted. Kids with Talent are a delicacy," Bethany says, a tired but happy smile on her face, "The girl Jack and I saved, Nadine? She's powerful. Potentially very powerful. Enough that if she'd had control over her abilities, we wouldn't have had to step in at all. I'm thinking of giving her some more formal training; empowerment is a big bonus for psychological recovery."

    Once she extracts herself from Mi Na's grip, she'll head to the kitchen, before stopping, looking at the cupboards with a frown, "What do you think, ordering pizza tonight? I feel like sh** and don't want to cook, but I think I should reward myself. I won't say it all turned out okay, but it's a damn sight better than it could have been."
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    "I don't know," Mi Na says. "I just...I can't help but feel like there's more to it than that. Why would they go to these lengths, why would they take these risks, if the only reason is that it...we taste good? It doesn't make sense. And I remember...I know you don't like to talk about the succubus. I don't either. But I remember things. Things she said. Things about how she was getting close to something, about how it was working. Never anything solid but...she wanted something."

    She forces a smile. "Yeah, pizza sounds good. I'll buy. I have a little saved from working overtime last week."
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    "Thanks," Bethany says with a slight smile, before flopping onto the couch.

    "Well, it stands to reason there IS something they want, then. The focus is too strong otherwise. It's not sleeper agents; mutilation doesn't fit into that. More likely it's something to do with the power itself. You've heard the term 'you are what you eat'? My best guess is that they're empowering themselves for some kind of status or bargain. Two psychophages following the same pattern for the same reason at wildly divergent points in time suggests that it's something to do with something nonhuman and/or immortal, since time isn't a factor."

    She sits quietly for a moment, before taking out her phone. She deleted the earlier pictures off her phone, but having the prop at hand might help to remember. The scrimshaw on the skull of the man in the storage closet - that's delicate work. It doesn't fit with the rest. If she could remember the designs...
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    After a few moment's concentration, Bethany is fairly confident that she can bring the scrimshaw designs to mind well enough to copy them onto a piece of paper. It won't be perfect, but it should be enough to get something.

    After that's done, she consults a few books and finds something...interesting. Where the other designs, the ones on the man's arms, were Native American, the ones on the skull are not. These appear to be a very old magical script - probably the oldest that is still known, in fact. It dates back to the Early Dynastic Period of ancient Egypt, when the first pharaohs ruled - around 3100 BC. The method of reading the hieroglyphs is not intuitive, especially to someone who has no background in ancient Egyptian languages. But after a long while of puzzling, guessing, and cross-referencing, she believes she knows what this inscription is. It has the form of a prayer-spell from the Book of Coming Forth Into Day, commonly known as the Book of the Dead - the collection of spells and prayers used to help the souls of the dead safely reach the afterlife.

    But this is a very different spell. It contains nothing about helping the dead, and several lines that are exclusively about helping the one who scribes the spell. There is also a prayer to one goddess who the Egyptians never, ever prayed to: Ammit, the Devourer of Souls. She is the demon-god who consumed the hearts of those unworthy of eternal life, condemning their souls to either oblivion or restlessly wandering the earth forever. The Egyptians feared her above all other beings, and looked on being consumed by her as the ultimate punishment.

    The fact that this spell praises her and invokes her name is...concerning.
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    Mi Na will likely hear Bethany cursing up a storm in a variety of languages when she finds these things out.

    Consumption of the heart. Psychophages. With the wendigo and succubus, they were both something specific - creatures of consumption, and rending life. That's a connection point to Ammit. But Ammit, as far as Bethany is aware, isn't evil, just a ravenous animal, like a big dog that never quite felt fed, even after gorging. So... that means there's either something the legends she has access to are missing, or there's more going on with this than she realizes.

    Both are equally likely. There's no obvious connection between the wendigo and Ammit, or the succubus and Ammit, aside from them all eating metaphysical parts of the heart and mind. Ammit is only fed on sinful hearts, which tracks with the wendigo, as it's a spirit of transgression, which in a lot of ways is what Sin is meant to be. But that doesn't explain the prayer script asking for power for Ammit. Going after kids with Talent makes some sense - they have more power, undeveloped as it is, than a normal soul, theoretically making the sacrifice more potent.

    But that doesn't explain anything. There must be a very specific reason they're doing this. A ritual. Empowerment? That doesn't track with what Ammit is; she's a being of consumption, she doesn't grant boons. So it has to be something they want to do to or around Ammit. Freeing her would allow her to run rampant, feeding without needing to be fed by an egyptian god of the dead, which would essentially be like unleashing a kaiju on the world. Two ways that can go - either she's under someone's control, and thus becomes one of the most powerful weapons in history, or she runs rampant, and rampages until a godly host brings her down. Either way, the masquerade would shatter like glass, leaving everyone able to gaze in through the window, and next to nobody in the supernatural community actually wants that, including the spiritual beings.

    There's too much information missing.
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    Mi Na waits for the cursing to finish before approaching the closet where Bethany has her lab. "I take it that the news isn't good," she says, surprisingly mildly.
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    The albino shakes her head, "It's not. One of the wendigo's... victims was left with some prayers to Ammit. Prayers that don't exist because she's a being of consumption. And I can't figure out why. Ammit doesn't grant boons, and releasing her from her spiritual duty would just be releasing a kaiju. It makes no sense, so there's obviously pieces I'm missing."
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    "There has to be some reason they would do it," Mi Na says. "Ammit...she ate souls, right? That sounds like these monsters, but...I don't know why they'd pray to her. There has to be more to this. Can you, I don't know...ask around for more information on that prayer? And on what Ammit actually is?" She grimaces. "I don't really know very much about all this, and I certainly don't know who to ask for this."
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    "Basically my only option at this point. I'll check with the paranormal community first, see if they have anything for me. I'd rather not owe another favor to a fey, quickly handled or not," Sure, Anemone is reliable, but that also means she knows his prices, "So... there's basically only a few people I can ask, at this point. I'll check in with Mama Mable first, then see if Frank has heard anything. If not, I'll start looking deeper."
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