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Production designer Carol Spier brings an engaging 1940s air to the sets and costumes; the weathered metal and hand-painted graphics on the Jaegers recall the markings of World War II bombers, giving a pleasing sense of lived-in depth to del Toro’s world. Oriental cities have rebuilt themselves around the skeletons of fallen Kaiju. Other countries have erected gigantic defence walls. Touches like this add to the sense of history, even though they're only on the screen for a scant few seconds.

In terms of both action and drama, Pacific Rim begins loudly, and remains at a shriek throughout. Apparently in fear of becoming lost against the backdrop of explosions and multi-storey fist-fights, the performances are noisy where more intimacy may have provided some contrast from all the sound and fury. The heroes are brave and stoic, Idris Elba's strong and benevolent (and gets to use his own accent, which is refreshing after his Prometheus drawl), the comic-relief scientists are bumbling yet ingenious, while Ron Perlman’s cameo - well, we’ll let you discover him for yourselves.


Production designer Carol Spier brings an engaging 1940s air to the sets and costumes; the weathered metal and hand-painted graphics on the Jaegers recall the markings of World War II bombers, giving a pleasing sense of lived-in depth to del Toro’s world. Oriental cities have rebuilt themselves around the skeletons of fallen Kaiju. Other countries have erected gigantic defence walls. Touches like this add to the sense of history, even though they're only on the screen for a scant few seconds.

In terms of both action and drama, Pacific Rim begins loudly, and remains at a shriek throughout. Apparently in fear of becoming lost against the backdrop of explosions and multi-storey fist-fights, the performances are noisy where more intimacy may have provided some contrast from all the sound and fury. The heroes are brave and stoic, Idris Elba's strong and benevolent (and gets to use his own accent, which is refreshing after his Prometheus drawl), the comic-relief scientists are bumbling yet ingenious, while Ron Perlman’s cameo - well, we’ll let you discover him for yourselves.